АҚЫН-САТИРИК ШОНА СМАХАНҰЛЫНЫҢ ШЫҒАРМАШЫЛЫҚ МҰРАСЫ

Abstract

The article extensively examines the creative legacy of the satirical poet Shona Smakhanovich. Special attention is paid to the life and period, important moments of public activity, views on the interests of the country, the system of positions defining the ideals of the nation. The important thing is that the topic is significant, the genre system is clear, the content is revealed from different angles – humor, criticism, shishima-pinches, systematic presentations of relevant aspects of society, the realities of time, a thousand complexities of the human world with sharp tongues, tortuous thought, sharp stanzas are transmitted on the basis of in-depth analysis, research-study. In particular, the object of study were works published in different years: «Kezdik», «Zhasyraiyak  nesine», «Zhymiyady zheneshem», «Elpekpaydyn tentegi», «Otkirdin zhuzi», «Tandamalys hygarmalar» dedicated to the interests of the country, the ideals of the nation, negative manifestations in society, human interaction, all kinds of scenes-paintings no humor, no criticism, no criticism, no serious assessments, no insightful research system. As a result, the creative heritage, thematic channel, genre and artistic features of the satirical poet Sh. Smakhanovich, a social phenomenon, the realities of time, the ideals of human existence and work, points of view-positions in relation to actions acquire a meaningfully nutritious, reliable character in the context of truth, in the context of true realities. The author's position, thematic specificity, channels of artistic worldview are also considered from different sides and have a systemic field.